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4 min read

Learning how to Produce a commercial

[ Journal ]

A freshman-year walk into an Oregon Accelerator meeting turned into my first executive producer credit: a full NIL campaign pairing Ducks QB Dante Moore with M. Jacobs Furniture.

Almost a year ago, I sat in my first Oregon Accelerator meeting as a freshman, barely a month into UO. This past week, the first spot in OA's Dante Moore x M. Jacobs campaign launched, and being executive producer wasn't something I imagined a year ago.

For those who don't know, Oregon Accelerator is a student-run agency at UO working with 114 Ducks athletes across all 20 varsity sports. Not case studies, not mock pitches: real projects, real deadlines.

Sitting in Deborah Morrison's JCOM 101, I repeatedly heard the words: “Do the work you want to be known for” and “Hungry dogs run faster.” I can’t speak for every college student but sometimes the work we do can feel directionless. Like you're running towards something but haven't quite figured out the heading. I've found the most you can do in a situation like that, is be most prepared for when the opportunity arises. And when you have that opportunity, you go 150% above what the expectation is.

[ Journal ]

In June, Division Street Associates LLC connected OA with M. Jacobs, a brand that's part of Oregon's identity. We sat with owner Mike Schwartz, researched the store's 85+ year history, and pitched three concepts, landing on "Dante Takeover": Dante becomes the store's new GM while Mike finally takes the vacation he's earned.

What followed was months of work that rarely gets seen: pre-production, media plans, call sheets, wardrobe tracking, work back calendars, and media buys under tight timelines.

Principal photography was July 6th. A furniture showroom in downtown Eugene became a full production set, and despite countless moving pieces, execution was seamless from start to finish. Weeks of planning the production down to the exact minute finally paid off.

[ Journal ]

None of this would have been possible without the people behind it. Thank you to Mike Schwartz and the M. Jacobs team for trusting a group of college students with a campaign of this scale, Kelli Matthews and Craig Leon for building a program rooted in genuine ownership rather than oversight, Steve Strand and our alumni network for advising me when I didn't know what I didn't know, Keila Barton and OA leadership for keeping a hundred moving parts aligned, and every teammate who showed up on shoot day and treated the work with the dedication it deserved. This was a "we" above "me" project.

I came to Oregon from Sisters, a small town on the other side of the Cascades, hoping to find an opportunity like this one. I'm grateful I did, and grateful I found a group of students who care about the work as much as I do. Hungry dogs run faster. In a pack, they run even further.

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